Showing posts with label Long Exposure. Show all posts
Showing posts with label Long Exposure. Show all posts

Wednesday, 11 February 2009

Some initial thoughts on long exposure


WARNING:- These are initial reflections and they may well not reflect what I finally feel about the subject (I suppose you could say that about most blogs - especially this one!)  plus This post does contain traces of Star Trek

That's the warning out of the way I thought I would now set down on the screen some initial thoughts about the experiments I did last night.  I suppose the main thought that comes to mind is that of controlling exposure.   I suspect that this is not as crucial as sub second exposure.  There is a world of difference between 1/1000th and 1/100th of a second but I suspect that is not the case in long exposures.  This does give you certain leeway.  Obviously there is a difference between 30 seconds and 90 seconds (one is 3 times as big as the other so you would assume that 3 times more light is exposed).  However, when you consider the difference between 390 and 420 seconds the orders of magnitude are tiny.  This does give you more leeway.

The 7 minute barrier also is an interesting concept to work with.   Is the photograph you are trying to make capable of being captured in the 7 minutes?   If it is not why not and what will the effect be?  These are all creative decisions that you, as the photographer, need to think about when considering what you are trying to make.

And what about the photographer in all this?   This might seem strange but what do you do with yourself in the seven minutes?  Now some times you may be trying to illuminate a certain area, however, other times you are just left there standing waiting for the time to elapse.   This can lead to a temptation to tamper, to try and rush matters - all things that could impact on the photograph.

In the end I suppose we are entering the strange world of electro magnetism and space/time.  These are subjects that my son would no doubt love to talk about, being a physicist and start trek fan, but they are not the usual topics of conversations between photographers.  I suppose it always comes back to e = mc2

Tuesday, 10 February 2009

Some very long exposures

554 seconds at 19 mm f8 - 50 ISO
I am trying out some long exposures tonight.  The subject matter is a little boring, the view from a window.  So far it has been interesting.  I set my camera at 50 ISO and f22 just to see what I would get.  Needless to say after a couple of minutes I got very little.   I changed the settings to 5 minutes.  A bit better.  I then changed to f8 at about five minutes.  The results got a little bit more interesting.  I changed the time to around 8 minutes.

I then gave the sensor a rest and a chance to cool down.  This, apparently, may be the cause of the noise that comes with long exposures on a digital camera.

Disregarding the subject matter the results were interesting.  Clearly, there is a limit on the amount of time a sensor can be exposed before noise becomes an issue.  From the results I have got it would seem that the limit is somewhere in the region of 7 minutes.  Having briefly read some of the view/experiences on forums and websites about the noise problem this would be about right.  So what does this mean about the development of the photographs for the project?  Well for a start it means I have to set up a photograph with the time restrictions in mind - no Michael Wesely for me - well not with digital anyway.  This is a balancing act as increasing the ISO will no doubt increase the noise at a much shorter exposure.

Ultimately this has been an experiment.   I will have to think about the results over the next day or so.  But one thing is for sure, this is a fascinating way to make a photograph and so long as you know the restrictions then you can use these for creative purposes.

Monday, 9 February 2009

Very Long Exposure - Michael Wesely

Michael Wesely is a photographer that was suggested by Nick Lockett.  Apparently, the work involves extreme exposure times - measured in months rather than seconds.  His most famous exhibition to date has been at the MOMA in New York in 2004.

Not just long exposure of buildings - 
this one took from the 26th October to 6th November
New York - from the Open Shutter exhibition at MOMA
Michael Wesely


Michael Weseley - very long exposure

Flickr - this link shows the contents of the catalogue from the MOMA exhibition in 2004
Michael Weseley website - this is in German

New York Times

26th September 2004 - By JEFFREY KASTNER
22nd August 1999 - By WILLIAM ZIMMER - Mentioned when discussing portraying flowers